Art
Contact
Department Chairs:
Art History: Bonnie Cheng
Studio Art: Johnny Coleman

Administrative Assistant:
Jamie Jacobs

Department Email:


Phone: (440) 775-8181
Fax: (440) 775-8969

Location:
Art Building 2, Room 166
91 N. Main St.
Oberlin, OH, 44074

Bonnie Cheng

Bonnie Cheng

Department Co-Chair, Associate Professor of Art History and East Asian Studies

Contact Information

E-mail:


Office:
Allen Art Building 131
(440) 775-8673

Personal Office Hours:
Tuesday 3:00-4:30 pm & Thursday 1:30-3:00 pm

Educational Background

  • Bachelor of Arts, Bryn Mawr College, 1991
  • Master of Arts, University of Chicago, 1996
  • Doctor of Philosophy, University of Chicago, 2003


Bonnie Cheng is a joint appointment in the Department of Art and Department of East Asian Studies. She teaches courses in Chinese and Japanese art, from ancient to modern. Topical classes include courses on imperial Chinese painting and ceramics, ukiyo-e, and modern Chinese Art. Thematic courses explore Monuments, Death and Dying in East Asia, and perspectives on Cultural Property. She has also taught a course for the FYSP entitled, "Contested Sites: the Politics of Art and Space."

 

Her research explores innovative modes of production, materiality, artistic exchange, and the construction of political and social identities in early medieval Chinese funerary art. She focuses primarily on the intersection of competing media and motivations of the living and dead within tomb space. She has published several articles on tomb figurines, architecture, and murals, including an article on the mid-6th century tomb of a Rouran princess in Archives of Asian Art (2007); an invited essay on circumventing imperial burial prescriptions in the tomb of Li Xian in Yishu yu kexue [Art and Science] (2007); an article theorizing artistic exchange in Ars Orientalis (2010); an invited chapter on mingqi for the Blackwell Companion to Asian Art (2011), and an essay on a renewed perspective on stone in Studies in Ancient Tomb Art (2011), among others. She is completing a manuscript entitled, The Status of Authority: Tombs and Political Spaces of the Northern Dynasties, which explores tombs of rulers and military officials and considers the role of ethnicity and political expediency in the appropriation and adaptation of cultural traditions. Her work has been supported by grants from the Fulbright-Hays DDRA, the Committee for Scholarly Communication with China, the National Endowment for the Humanities and American Council of Learned Societies.

 

2012-2013 Courses:
ARTS 204 Approaches to Chinese and Japanese Art
ARTS 328 Modern Chinese Art
ARTS 451 Death and Dying in East Asia

 

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News

Art History Professor Receives NEH Fellowship, Franklin Grant, and Residency in Florence

May. 04, 2011

Christina Neilson, Assistant Professor of Renaissance and Baroque Art History, has been awarded two prestigious fellowships and a grant in support of her research on the mixed media works of Andrea del Verrocchio, an artist best known as Leonardo da Vinci’s teacher.


Photography Professor Named 2011 Guggenheim Fellow

Apr. 08, 2011

The Guggenheim Memorial Foundation has named Pipo Nguyen-duy, associate professor of art and photography at Oberlin College, a 2011 fellow in creative arts. The foundation recognized him for his body of work titled East of Eden: Vietnam, a series of staged, large-scale, color photographs that explore hope and renewal 30 years after the Vietnam War.


Student artists compete at MoCA

Dec. 08, 2010

Oberlin College is known for creativity and artistic talent, and recently this artistry has found a home at Cleveland’s Museum of Contemporary Art (MoCA). Oberlin students participated in two art competitions at MoCA, Another Vibrant “Fight,” and the Student Slideshow at MoCA, where Oberlin swept the awards.


Juxtapose This: Oberlin’s Masterworks at the Phillips

Sep. 15, 2010

When you and I decide to renovate our kitchens, we don’t have the luxury of putting our best appliances and nicest knife set on display over at a friend’s house while the cabinets get installed and the floors are torn up. But, when you’re a museum under renovation, that’s exactly what you do. With its space full of sawdust and plaster drippings, Oberlin College’s Allen Memorial Art Museum decided to lend some of its best-known works to the Phillips Collection. The resulting show, “Side by Side: Oberlin’s Masterworks at the Phillips,” takes 25 pieces from the Allen’s collection and puts them in conversation with one 40 from the Phillips’.........


Two Art Majors are awarded the Thomas J. Watson Fellowship

Apr. 29, 2010

Lisa Chung, Oberlin College The Medium and the Message: Mapping Electronic Art Around the Globe Brazil, China, Japan, Germany, Netherlands A mixed culture of idealism and skepticism has long surrounded popular views of technology. Yet it is important to remember the human aspect: technology inherently contains the imperfections and idiosyncrasies of the people who created it. I intend to spend my Watson year immersed in electronic art, attempting to find out who is actively shaping technology and our experience and perception of it. I plan to find technologically-based artists, participate in sharing artistic ideas, and be an active part of a community that exists both locally and internationally. Maia Brown, Oberlin College Sumud with Tzedek: Can Ireland and South Africa Inform Palestine-Israel? Ireland, South Africa Ireland and South Africa have become iconic of “conflict resolution.” Their oft-studied political development can overshadow the underlying process of grassroots reconciliation. Inherent in that process are narratives of remembrance and profound reimagining. Working with NGOs focused on reconciliation, I hope to explore their successes and limitations; collaborating and collecting oral histories, I seek to engage with participants’ ongoing understanding of what enables an end to violence—understandings that might be applied to peace initiatives in the Middle East. http://www.watsonfellowship.org/site/fellows/10_11.html