Art
Contact
Department Chairs:
Art History: Bonnie Cheng
Studio Art: Johnny Coleman

Administrative Assistant:
Jamie Jacobs

Department Email:


Phone: (440) 775-8181
Fax: (440) 775-8969

Location:
Art Building 2, Room 166
91 N. Main St.
Oberlin, OH, 44074

Esra Akin-Kivanc

Esra Akin-Kivanc

Visiting Assistant Professor of Art and Religion

Contact Information

E-mail:


Office:
Art Bldg., Room 166A
(440) 775-8146

Personal Office Hours:
By Appointment Only


  
Esra Akin teaches courses in Islamic art and visual culture with special emphasis on the relationship between art and religion.  She is currently working on a compilation of pre-nineteenth century Ottoman art-historical texts, and researching the Islamic art collection at Oberlin’s Allen Memorial Art Museum.

COURSES TAUGHT

- Visual Culture of the Muslim World 
- Figurative Painting in Islam
- Approaches to Islamic Art and Architecture
- Introduction to Muslim Cultures and Civilizations: A Humanistic Approach (co-taught with Professor Ali Yedes and Professor Jafar M. Mahallati)
- History of Western Art: The Ancient World to the Early Renaissance 
- Art and Architecture of the Ancient Near East and the Western World 
- Art and Architecture of the Middle Ages and the Renaissance

Esra Akin-Kivanc teaches courses in Islamic art and visual culture with special emphasis on the relationship between art and religion.  She is currently working on a compilation of pre-nineteenth century Ottoman art-historical texts, and researching the Islamic art collection at Oberlin’s Allen Memorial Art Museum.


COURSES TAUGHT

  • Visual Culture of the Muslim World
  • Figurative Painting in Islam
  • Approaches to Islamic Art and Architecture
  • Introduction to Muslim Cultures and Civilizations: A Humanistic Approach (co-taught with Professor Ali Yedes and Professor Jafar M. Mahallati)
  • History of Western Art: The Ancient World to the Early Renaissance 
  • Art and Architecture of the Ancient Near East and the Western World
  • Art and Architecture of the Middle Ages and the Renaissance
BOOKS

Mustafa Âli’s Epic Deeds of Artists: A Study on the Earliest Ottoman Text About the Calligraphers and Painters of the Islamic World. Leiden: Brill Academic Publishers, 2011.

Sinan’s Autobiographies: Five Sixteenth-century Texts. Leiden: Brill Academic Publishers, 2006 (with Howard Crane).

ARTICLES

“Modern Narratives of the Past at Çatalhöyük.” The Ohio State University, Middle East and South Asia Folklore Bulletin, December 2000.

ARTICLES IN PROGRESS

“Illustrated Manuscripts from Persia, India, and Ottoman Turkey in Oberlin College’s Islamic Art Collection.”

EXHIBITIONS

“Beyond the Surface: Text and Image in Islamic Art,” Allen Memorial Art Museum, Oberlin, Ohio, Fall 2012-Spring 2013.

PANELS CHAIRED / MODERATED

Midwest Art Historical Society, Panel on Islamic Art, Chair, Columbus, Ohio, March 2013.

“Iraq Year Zero: A Panel Discussion on the Cultural Destruction of Iraq,” Moderator, The Ohio State University, Columbus, Ohio, May 2003.

PAST AND UPCOMING PRESENTATIONS

“Such a Qur’an No Individual Might Own’: The Story of a 14th-century Mamluk/Ilkhanid Qur’an in Oberlin College’s Special Collections," The Islamic Manuscript Association, University of Cambridge, United Kingdom, September 2013.

“Ignorant Collectors, False Artists, and Deceitful Scribes: Mustafa Âli’s Critique of the Sixteenth-Century Ottoman Artistic World,” Canakkale University, Gallipoli, Turkey, May 2013.

“Ottoman Historiography through its Orphaned Primary Sources,” Society of Architectural Historians, 66th Annual Conference (Session: Shifting the Historiography of the Near East: Re-Interpreting the Past), Buffalo, New York, April 2013.

“The Muslim Jerusalem” guest lecturer in Saints and Relics in Medieval and Renaissance Art taught by Professor Erik Inglis, Art Department, Oberlin College, Oberlin, Ohio, November 2012.

“Safavid and Ottoman Visual Culture: A Comparative Introduction,” guest lecturer in Islam taught by Professor Jafar Mahallati, Oberlin College, Oberlin, Ohio, November 2011.

“Who Owns Culture?  The Case of the Great Tahmasp Shahnameh,” Oberlin College, Ohio, March 2011.

“The Role of Turkish Women in Building the Modern Republic of Turkey,” The Ohio State University, Columbus, Ohio, November 2005.

“Sinan’s Autobiographies: Literary Sources for Sixteenth-century Ottoman Architecture,” College Art Association 90th Annual Conference, Philadelphia, Pennsylvania, February 2002 (with Professor Howard Crane).

“Atatürk’s Public Imagery and Turkish National Identity,” 36th Annual Conference of Graduate Students, Art Institute of Chicago, Chicago, Illinois, April 2001.

“Modern Narratives of the Past at Çatalhöyük,” Annual Conference of the American Folklore Society, Columbus, Ohio, October 2000.

2012-2013 Courses:

RELG 278 Visual Culture of the Muslim World
ARTS 387 Visual Culture of the Muslim World



 
News

Art History Professor Receives NEH Fellowship, Franklin Grant, and Residency in Florence

May. 04, 2011

Christina Neilson, Assistant Professor of Renaissance and Baroque Art History, has been awarded two prestigious fellowships and a grant in support of her research on the mixed media works of Andrea del Verrocchio, an artist best known as Leonardo da Vinci’s teacher.


Photography Professor Named 2011 Guggenheim Fellow

Apr. 08, 2011

The Guggenheim Memorial Foundation has named Pipo Nguyen-duy, associate professor of art and photography at Oberlin College, a 2011 fellow in creative arts. The foundation recognized him for his body of work titled East of Eden: Vietnam, a series of staged, large-scale, color photographs that explore hope and renewal 30 years after the Vietnam War.


Student artists compete at MoCA

Dec. 08, 2010

Oberlin College is known for creativity and artistic talent, and recently this artistry has found a home at Cleveland’s Museum of Contemporary Art (MoCA). Oberlin students participated in two art competitions at MoCA, Another Vibrant “Fight,” and the Student Slideshow at MoCA, where Oberlin swept the awards.


Juxtapose This: Oberlin’s Masterworks at the Phillips

Sep. 15, 2010

When you and I decide to renovate our kitchens, we don’t have the luxury of putting our best appliances and nicest knife set on display over at a friend’s house while the cabinets get installed and the floors are torn up. But, when you’re a museum under renovation, that’s exactly what you do. With its space full of sawdust and plaster drippings, Oberlin College’s Allen Memorial Art Museum decided to lend some of its best-known works to the Phillips Collection. The resulting show, “Side by Side: Oberlin’s Masterworks at the Phillips,” takes 25 pieces from the Allen’s collection and puts them in conversation with one 40 from the Phillips’.........


Two Art Majors are awarded the Thomas J. Watson Fellowship

Apr. 29, 2010

Lisa Chung, Oberlin College The Medium and the Message: Mapping Electronic Art Around the Globe Brazil, China, Japan, Germany, Netherlands A mixed culture of idealism and skepticism has long surrounded popular views of technology. Yet it is important to remember the human aspect: technology inherently contains the imperfections and idiosyncrasies of the people who created it. I intend to spend my Watson year immersed in electronic art, attempting to find out who is actively shaping technology and our experience and perception of it. I plan to find technologically-based artists, participate in sharing artistic ideas, and be an active part of a community that exists both locally and internationally. Maia Brown, Oberlin College Sumud with Tzedek: Can Ireland and South Africa Inform Palestine-Israel? Ireland, South Africa Ireland and South Africa have become iconic of “conflict resolution.” Their oft-studied political development can overshadow the underlying process of grassroots reconciliation. Inherent in that process are narratives of remembrance and profound reimagining. Working with NGOs focused on reconciliation, I hope to explore their successes and limitations; collaborating and collecting oral histories, I seek to engage with participants’ ongoing understanding of what enables an end to violence—understandings that might be applied to peace initiatives in the Middle East. http://www.watsonfellowship.org/site/fellows/10_11.html