Art
Contact
Department Chairs:
Art History: Bonnie Cheng
Studio Art: Johnny Coleman

Administrative Assistant:
Jamie Jacobs

Department Email:


Phone: (440) 775-8181
Fax: (440) 775-8969

Location:
Art Building 2, Room 166
91 N. Main St.
Oberlin, OH, 44074

Julia Christensen

Julia Christensen

Assistant Professor of Integrated Media

Contact Information

E-mail:


Office:
On Leave 2012-2013
(440) 775-8179

Personal Office Hours:
Tuesday 2:00-5:00pm

Personal Web Site:
www.juliachristensen.com

Educational Background

  • MFA, Integrated Electronic Arts, Rensselaer Polytechnic Institute
  • MFA, Electronic Music and Recording Media, Mills College
  • BA, Integrated Arts, Bard College


 JULIA CHRISTENSEN is an artist who works in video, photography, networked media, writing, sound arts, sculpture, installation, and performance. Her work has exhibited at galleries and museums internationally, including the Walker Art Center in Minneapolis, Carnegie Museum of Fine Arts in Pittsburgh, Spaces Gallery in Cleveland, and The Lincoln Center in NYC. Recent solo exhibitions include: Your Town Inc., (which originated at the Miller Gallery at Carnegie Mellon University and was curated by Astria Suparak), and Surplus Rising (which originated at the Banvard Gallery, Knowlton School of Architecture at Ohio State University).

 

Julia is the author of Big Box Reuse, published by the MIT Press in 2008. This book is a product of her ongoing investigation into how communities are renovating and reusing abandoned big box buildings in the United States. Her project "Surplus Rising" will be published as a part of the 3rd Coast Atlas, forthcoming. Christensen's writing has been published in magazines such as Orion, Print, and Slate. Her work has been featured in publications such as The New York Times, The Washington Post, Bookforum, The New York Review of Books, Bomb, Afterall, and Dwell Magazine.

 

Ms. Christensen is an active musician in the worlds of new and experimental music. She is the founder and director of WAM!: Women and Art Music Ensemble at the Oberlin Conservatory of Music. She has performed as a musician in such locations as 21 Grand and the Acme Observatory in Oakland, CA, and has studied composition with Pauline Oliveros, Maggi Payne, Fred Frith, and Chris Brown. 

 

Ms. Christensen is currently the Henry Luce Visiting Professor of Emerging Arts at Oberlin College and Conservatory, where she produces the Margin Release New Media Lecture Series. Christensen has a joint appointment between the departments of Studio Art, TIMARA (Technology in Music and Related Arts), and Environmental Studies. Before coming to Oberlin, she taught at Stanford University, Pratt Institute, California College of the Arts, and other colleges. She has been an invited speaker and critic at dozens of colleges and universities, including the San Francisco Art Institute, Cornell University, Yale University, and New York University.  

 

In the fall of 2011, Christensen will take on the position of Assistant Professor of Integrated Media in the Studio Arts Department at Oberlin.


Other Files


 
News

Art History Professor Receives NEH Fellowship, Franklin Grant, and Residency in Florence

May. 04, 2011

Christina Neilson, Assistant Professor of Renaissance and Baroque Art History, has been awarded two prestigious fellowships and a grant in support of her research on the mixed media works of Andrea del Verrocchio, an artist best known as Leonardo da Vinci’s teacher.


Photography Professor Named 2011 Guggenheim Fellow

Apr. 08, 2011

The Guggenheim Memorial Foundation has named Pipo Nguyen-duy, associate professor of art and photography at Oberlin College, a 2011 fellow in creative arts. The foundation recognized him for his body of work titled East of Eden: Vietnam, a series of staged, large-scale, color photographs that explore hope and renewal 30 years after the Vietnam War.


Student artists compete at MoCA

Dec. 08, 2010

Oberlin College is known for creativity and artistic talent, and recently this artistry has found a home at Cleveland’s Museum of Contemporary Art (MoCA). Oberlin students participated in two art competitions at MoCA, Another Vibrant “Fight,” and the Student Slideshow at MoCA, where Oberlin swept the awards.


Juxtapose This: Oberlin’s Masterworks at the Phillips

Sep. 15, 2010

When you and I decide to renovate our kitchens, we don’t have the luxury of putting our best appliances and nicest knife set on display over at a friend’s house while the cabinets get installed and the floors are torn up. But, when you’re a museum under renovation, that’s exactly what you do. With its space full of sawdust and plaster drippings, Oberlin College’s Allen Memorial Art Museum decided to lend some of its best-known works to the Phillips Collection. The resulting show, “Side by Side: Oberlin’s Masterworks at the Phillips,” takes 25 pieces from the Allen’s collection and puts them in conversation with one 40 from the Phillips’.........


Two Art Majors are awarded the Thomas J. Watson Fellowship

Apr. 29, 2010

Lisa Chung, Oberlin College The Medium and the Message: Mapping Electronic Art Around the Globe Brazil, China, Japan, Germany, Netherlands A mixed culture of idealism and skepticism has long surrounded popular views of technology. Yet it is important to remember the human aspect: technology inherently contains the imperfections and idiosyncrasies of the people who created it. I intend to spend my Watson year immersed in electronic art, attempting to find out who is actively shaping technology and our experience and perception of it. I plan to find technologically-based artists, participate in sharing artistic ideas, and be an active part of a community that exists both locally and internationally. Maia Brown, Oberlin College Sumud with Tzedek: Can Ireland and South Africa Inform Palestine-Israel? Ireland, South Africa Ireland and South Africa have become iconic of “conflict resolution.” Their oft-studied political development can overshadow the underlying process of grassroots reconciliation. Inherent in that process are narratives of remembrance and profound reimagining. Working with NGOs focused on reconciliation, I hope to explore their successes and limitations; collaborating and collecting oral histories, I seek to engage with participants’ ongoing understanding of what enables an end to violence—understandings that might be applied to peace initiatives in the Middle East. http://www.watsonfellowship.org/site/fellows/10_11.html