English
Contact
Department Chair:
Anuradha Needham

Administrative Assistant:
Sue Elkevizth

Department Email:


Phone: (440) 775-8570
Fax: (440) 775-8684

Location:
Rice Hall 130
10 North Professor St.
Oberlin, OH, 44074

William Patrick Day

William Patrick Day

Professor of English and Cinema Studies

Contact Information

E-mail:


Office:
Rice Hall 124
(440) 775-8574

Personal Office Hours:
Monday & Wednesday 3:30-4:20 & by appointment

ObieMAPS:
William Patrick Day

William Patrick Day

Educational Background

  • B.A., Oberlin College, 1971
  • M.A., University of Chicago, 1972
  • Ph.D., University of Chicago, 1976


I teach courses in the English Department and the Cinema Studies and Comparative Literature Programs. I’ve written about horror/gothic literature and vampires, and I have a long-standing interest in popular culture; in addition to horror stories, I’m interested in science fiction, fantasy, and detective stories. On the other hand, I’m quite happy working with what is called high art--the work of writers such as Henry James, William Faulkner, and Wallace Stevens. 
 
I’m currently working on two projects: a book on history and film called Imagining History and an essay on wonder in the 1933 and 2005 versions of "King Kong" called "The Ape in the Age of Mechanical Reproduction." In addition to the courses I regularly teach now, I am developing two courses I intend to teach in the near future. One, on television, will focus on the relation of the way narrative is used and transformed by the medium of television, and the other will focus on the effect and subject of "strangeness" in cinema.
 
What brings all of this together for me is my interest in the relations among pleasure, imagination, and value.
 
Courses Taught:
 
Contemporary Literary Theory: Post-Modernity and Imagination
American Literature, Movies, and Culture in the 1930s: Art and Social Value
Imagining History
The Sense of Time and Place
 
Publications:
 
In the Circles of Fear and Desire: A Study of Gothic Fantasy
Vampire Legends in Contemporary American Culture: What Becomes a Legend Most