Faculty
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Kenneth Slowik, Artistic Director Baroque Cello, Viola da Gamba Artistic Director, Smithsonian Chamber Music Society; Axelrod Quartet; Smithsonian Consort of Viols; Castle Trio; L'Archibudelli; University of Maryland |
Oberlin Baroque Ensemble
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Michael Lynn Professor of Recorder and Baroque Flute at Oberlin; Principal, Apollo's Fire, ARTEK, Capriccio Musicale; publisher and founder of Early Music Facsimilies, general editor and founder of The Courant. |
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Marilyn McDonald Professor of Violin at Oberlin, Axelrod Quartet; Castle Trio; Principal, Boston Baroque; artist-in-residence, Boston University |
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Catharina Meints Associate Professor of Viola da Gamba and Baroque Cello at Oberlin; Oberlin Consort of Viols; Cleveland Orchestra; Case Western Reserve; founding faculty, BPI |
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Webb Wiggins Associate Professor of Harpsichord at Oberlin, Folger Consort; Apollo's Fire; Dryden Ensemble; Catacoustic Consort; Smithsonian Chamber Players; |
Special Guest Artist
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Elizabeth Wallfisch (Week 1 only) Guest-director of Orchestra of the Age of Enlightenment, Netherlands Bach Society, Tafelmusik, Apollo's Fire, The Hanover Band, L'Orfeo Barockorchester, the Australian Brandenburg Orchestra and the Philharmonia Baroque. |
Faculty
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Julie Andrijeski Visiting Lecturer, Case Western Reserve University; New York State Baroque Orchestra (concert master); Apollo's Fire (principal player); The King's Noyse; Cecilia's Circle; Spiritus Collective; Madison Early Music Festival. |
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Mary Anne Ballard Oberlin Consort of Viols; Baltimore Consort; Recordings: Dorian, Classic Masters |
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Thomas Baird (Week 1 only, T-F) Co-director, Apollo's Banquet; Lecturer, The Juilliard School, Mannes School of Music, Manhattan School of Music; Faculty at Opera Division at Suny Purchase, Kaatsbaan (American Ballet Theatre's Summer Ballet Intensive), and at the Gelsey Kirkland Academy of Classical Ballet; choreographer/performer of period dances for the New York Philharmonic's Young People's Concerts |
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Principal, Apollo's Fire, Portland Baroque Orchestra, Magnolia Baroque Festival, Atlanta Baroque Orchestra. Owner of the Baroque Trumpet Shop |
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David Breitman (Week 1 only) Director, Oberlin Conservatory Historical Performance Program, recital partner of baritone Sanford Sylvan, Oberlin Fortepiano Trio with Elizabeth Wallfisch and Jaap ter Linden |
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James David Christie (Week 2 only) Professor of Organ at Oberlin; former faculty, MIT, Boston Conservatory, Boston University; Founding director, Ensemble Abendmusik; Boston Symphony Orchestra, Bach Ensemble, Boston Early Music Fesrival Orchestra, Handel & Haydn Society, Boston Baroque |
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Lisa Goode Crawford Emeritus, Oberlin Baroque Ensemble; Recordings: harmonia mundi france, Gasparo, Smithsonian |
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Co-concertmaster, Orchestra of the 18th Century; Axelrod Quartet; former director, Pacific Baroque Orchestra; guest soloist/director with Lyra Baroque, Australian Brandenburg Orchestra, etc.; recordings with L'Archibudelli |
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Founder/director, Harmonious Blacksmith; conductor, Opera Vivente and Magnolia Baroque Festival; faculty, George Washington University |
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Lucas Harris Tafelmusik; New York Collegium; Seattle Baroque, Smithsonian Chamber Players, Toronto Continuo Collective |
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Ensemble Courant; soloist with Bach Ensemble, Ars Musica, Smithsonian |
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Christopher Krueger Principal: BEMFO, Handel & Haydn Society, Smithsonian; Boston University, University of Massachusetts at Amherst |
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John McKean Studied with Lisa Goode Crawford and Webb Wiggins at the Oberlin Conservatory and with Robert Hill at the Freiburg Staatliche Hochschule für Musik, and has received instruction from the most influential modern masters of historic keyboard, including Jacques Ogg, Skip Sempé, Jesper Christiensen, and Gustav Leonhardt. Performances with Apollo's Fire and the Catacoustic Consort; at Fondazione Cini in Venice, the Montisi Music festival in Tuscany, Festwochen Attersee in Austria; and on a live broadcast of Deutschland Radio Berlin. |
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Cynthia Roberts University of North Texas concertmaster, Apollo's Fire, Concert Royal has performed as concertmaster for Les Arts Florissants, American Bach Soloists, New York Collegium associate concertmaster, Carmel Bach Festival performs regularly with Tafelmusik and Philharmonia Baroque, among others. |
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Gonzalo Ruiz Philharmonia, The English Concert, Sonnerie, Portland Baroque Orchestra, Boston Early Music Festival Orchestra, Musica Angelica |
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Marc Schachman Aulos Ensemble, Philharmonia Baroque, the Smithsonian Chamber Players, Handel and Haydn Socitey, Boston Baroque, The American Classical Orchestra, Boston Univeristy |
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Peabody Institute of Music, has performed with the American Bach Soloists, Tafelmusik, New York Philharmonic, St Louis Symphony, San Francisco Symphony, National Symphony, New Jersey Symphony, and the St. Paul Chamber Orchestra, Lincoln Center's Mostly Mozart Festival, Aspen Music Festival, Bach Aria Group, the Handel and Haydn Society, and the Maryland Handel Festival; GRAMMY Award nominee. |
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Jane Starkman Aston Magna; Boston University; The King's Noyse; Orpheus Trio; Handel & Haydn Society |
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Nancy Zylstra Voice Amsterdam Baroque Orchestra, American Bach Soloists, Portland Baroque Orchestra, Tafelmusik, Faculty of Seattle Academy of Opera, Cornish College of the Arts, Pacific Lutheran University
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