Art
Contact
Department Chairs:
Art History: Bonnie Cheng
Studio Art: Johnny Coleman

Administrative Assistant:
Jamie Jacobs

Department Email:


Phone: (440) 775-8181
Fax: (440) 775-8969

Location:
Art Building 2, Room 166
91 N. Main St.
Oberlin, OH, 44074

Sarah Hamill

Sarah Hamill

Assistant Professor of Art History

Contact Information

E-mail:


Office:
On Leave 2013-2014
(440) 775-8647

Sarah Hamill

Christine Nguyen. © 2010 J. Paul Getty Trust

Educational Background

  • Ph.D. University of California, Berkeley, 2008
  • M.A. University of California, Berkeley, 2002
  • B.A. Reed College, 2000


Sarah Hamill teaches surveys of modern and contemporary art and focused courses on the history of photography, modern and contemporary sculpture, and the intersections between media. Students in her courses have published their writing online, from an exhibition catalogue for a 2012 Allen Memorial Art Museum exhibition, Hybrid Images: The Photography of Sculpture, 1860 to 1990, to a collaborative blog of notes and photographs from a 2012 class trip to Marfa, Texas. Her students have also curated and designed a digital exhibition highlighting a selection of artists’ books from the Clarence Ward Art Library, sponsored by a Five Colleges of Ohio Next Generation Library grant, funded by the Andrew W. Mellon Foundation.

Hamill’s research explores the intersections between sculpture and photography. Her recent publications include David Smith: Works. Writings. Interviews (Ediciones Polígrafa, 2011); an article on Smith’s color slide transparencies and the problem of polychrome sculpture (Getty Online Publications, 2011); and "Picturing Autonomy: David Smith, Photography and Sculpture," Art History (June 2014). Her monograph, David Smith in Two Dimensions: Photography and the Matter of Sculpture, the first book-length study of Smith’s photography, is forthcoming from the University of California Press in Fall 2014. Hamill has presented her research at, among other venues, the Wexner Center for the Arts, the Museum of Modern Art, the High Museum, Emory University, the University of Southern California, and the Solomon R. Guggenheim Museum. In 2009-2010 she was a postdoctoral fellow at the Getty Research Institute.

With Megan R. Luke (USC), she is preparing a manuscript that considers the role of the photography of sculpture in the writing of art history, aesthetics, and media theory. Their book project, provisionally titled Sculpture and Photography: The Art Object in Reproduction, recently was awarded a two-year Collaborative Research Fellowship from the American Council of Learned Societies. Hamill and Luke are also co-organizing a series of scholarly events scheduled for 2014 at the Clark Art Institute and the Getty Research Institute that bring together leading international scholars dedicated to the historiography of art and architecture, the histories of photography and sculpture, and the mediation of material artifacts as images.


Hamill is on research leave for the 2013-2014 academic year. She will serve as ACLS fellow and Visiting Professor in the Department of Art at the University of Toronto.